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・ Daniel Elsner
・ Daniel Elyakim
・ Daniel Embers
・ Daniel Emilfork
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・ Daniel Enele Kwanairara
・ Daniel Engelbrecht
・ Daniel England
・ Daniel Enkaoua
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・ Daniel Epstein
・ Daniel Epstein (pianist)
・ Daniel Erasmus
・ Daniel Erazo
・ Daniel Eric Gold
Daniel Erich
・ Daniel Eriksson
・ Daniel Erlandsson
・ Daniel Ermentrout
・ Daniel Ernemann
・ Daniel Ernst Jablonski
・ Daniel Escalante
・ Daniel Escalona
・ Daniel Escobar
・ Daniel Escobar (volleyball)
・ Daniel Espartaco Sánchez
・ Daniel Espejo Guillén
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Daniel Erich : ウィキペディア英語版
Daniel Erich
Daniel Erich (19 February 1649 in Lübeck - 30 October 1712 in Güstrow) was a German organist and composer.
Born into a musical family—his father was a lutenist and maker of stringed instruments in Lübeck—Erich studied for many years with Dietrich Buxtehude, who bought a tenor viol from his father in 1677. From 1675 until 1679, Erich played the positive organ in the choir loft at the Marienkirche in Lübeck. In 1679, he was appointed organist at the parish church in Güstrow (also the Marienkirche), a position he held until his death.〔This paragraph is based on Kerala J. Snyder, ''Dieterich Buxtehude: Organist in Lübeck'' (Rochester, NY: University of Rochester Press, rev. edn. 1987), pp. 129–130.〕
Erich also enjoyed a high reputation as an organ teacher and authority on the instrument, and in the latter capacity worked closely with the organ builder Arp Schnitger.〔"Daniel Erich", Wikipedia (in German).〕 In 1700, he played at the dedication of a new organ by Schnitger in the Dargun castle church.〔Snyder, p. 130.〕
Only four of his compositions survive. All are chorale preludes, none of them dated:〔''Es ist das Heil uns kommen her'' is No. 118 in the manuscript collection known as the ''Plauener Orgelbuch''. It was assembled in 1708, the date sometimes given to Erich's contribution, but there is no indication of when his piece was written. The ''Plauener Orgelbuch'', which has been linked to Johann Gottfried Walther, was acquired by the parish church at Plauen in 1828 and rediscovered there by musicologists in 1910; the original was destroyed in 1945, but there are copies. See Max Seiffert, "Das Plauener Orgelbuch von 1708," ''Archiv für Musikwissenschaft'', vol. 2, no. 3 (1920), pp. 371–393; Harry Joelson-Strohbach, "Nachricht von verschiedenen verloren geglaubten Handschriften mit barocker Tastenmusik," ''Archiv für Musikwissenschaft'', vol. 44, no. 2 (1987), p. 95.〕
* ''Allein zu dir, Herr Jesu Christ'', which has been described as "not very expressive";〔Willi Apel, ''The History of Keyboard Music to 1700'' (Bloomington, IN: Indiana University Press, 1972), p. 640.〕
* ''Christum wir sollen loben schon'', described as "fantasy-like" and "virtuosic";〔Christoph Wolff, "The Neumeister Collection of Chorale Preludes from the Bach Circle," in his ''Bach: Essays on His Life and Music'' (New Haven, CT: Harvard University Press, 1991), pp. 115-116.〕
* ''Es ist das Heil uns kommen her'', which "shows considerable originality";〔Apel, p. 640.〕 and
* ''Von Gott will ich nicht lassen'', a set of six "fluent" variations.〔Hugh J. McLean, "Daniel Erich", (Grove Music Online. ) Accessed 4 March 2014. Subscription required. Reproduced, apparently without permission, on the (Bach Cantatas Website. ) Accessed 4 March 2014.〕
''Christum wir sollen loben schon'' came to light when the Neumeister Collection was rediscovered in 1984, inspiring hope that other works may yet be found.〔Sara Ann Jones, (''The Neumeister Collection of Chorale Preludes of the Bach Circle: An Examination of the Chorale Preludes of J.S. Bach and Their Usage as Service Music and Pedagogical Works'' ), Doctor of Musical Arts Dissertation, Louisiana State University, 2002, pp. 3 and 77.〕
== References ==




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